Mike-engel
Emira Fiend
Hi all,
I’m taking a week away from work and find myself with time to contemplate. I was looking back at the evolution of the appearance of the front and rear of the Evora. Early versions had a rounded opening at the front end matched by a smooth, ovoid rear with integrated spoiler. With time, these features morphed to something much more angular and muscular, and honestly, I never found the changes appealing because they seemed to contradict the fluidity of the car’s original profile. The later Evora certainly had a more chiseled design language, and was a handsome car for sure, but I always felt the car strayed from its original intent. I love the way Emira seems to have reconciled this duality. What a wonderful display of sculptured elements that blend so well with its curvaceousness. And all the while aligns presentation with function. It’s all so purposeful. My only stylistic objections are the rear spoiler lighting, that in my mind would have been better presented as a contiguous oval, and the unimaginative placement of the infotainment control screen, as is true for most cars these days. Otherwise it’s really a design masterpiece, whose genius is found in unity arising out of some measure of discord. Really fantastic work,
I’m taking a week away from work and find myself with time to contemplate. I was looking back at the evolution of the appearance of the front and rear of the Evora. Early versions had a rounded opening at the front end matched by a smooth, ovoid rear with integrated spoiler. With time, these features morphed to something much more angular and muscular, and honestly, I never found the changes appealing because they seemed to contradict the fluidity of the car’s original profile. The later Evora certainly had a more chiseled design language, and was a handsome car for sure, but I always felt the car strayed from its original intent. I love the way Emira seems to have reconciled this duality. What a wonderful display of sculptured elements that blend so well with its curvaceousness. And all the while aligns presentation with function. It’s all so purposeful. My only stylistic objections are the rear spoiler lighting, that in my mind would have been better presented as a contiguous oval, and the unimaginative placement of the infotainment control screen, as is true for most cars these days. Otherwise it’s really a design masterpiece, whose genius is found in unity arising out of some measure of discord. Really fantastic work,